Halion sonic 3 combis library location
![halion sonic 3 combis library location halion sonic 3 combis library location](https://i.redd.it/907xnm5atxy81.jpg)
LOL But conceptually, that's what I aim for. That looks extremely organized, but I don't always put things in the right place, and there's lots of cross-contamination. So they can be accessed/edited anywhere, and to have redundant copies. Live gig : Nord patches/samples, Mainstage concerts, Gig performer, Ableton Live files, Finale Scores & Charts, Forscore/Paperless music/Igig show charts, Sysex files, and MANUALS!! - in the Cloud (Dropbox and Google Drive). Though as David nicely said, I can usually closely recreate most of my non memory synths patches by ear. Occasional photos of (non memory) analog synth patches, and notes on signal chain stuff goes within the session song file, or also in a dedicated folder in the Daw. With the idea I can take them to sessions if needed. Logic session files all on dedicated removable drives. Kontakt libraries, Spitfire Labs, Omnisphere, Stylus, etc. One small plus is patches that pop up with names like ORGANASM, which assures you that its not a Bela Fleck-flavored lute. Instead, develop a good grasp of each synth and then let your intuition do its part once you're in the right ballpark. Trying to keep track of every sound can become counterproductive. That operating model still overlays most synths, including my current rig. I haven't owned a Minimoog in X years and my hand would still go right to the octave or filter knobs as needed. I also know the higher/lower points of my stack, which shortens tweaking time as the work load kicks in.
![halion sonic 3 combis library location halion sonic 3 combis library location](https://i1.wp.com/www.synthtopia.com/wp-content/uploads/2013/07/Steinberg_HALion_Sonic_2.png)
I know when its time for a Spitfire section and so do ya'll. Synth strings are a dime a gross and easily cut to fit. This isn't the path to take if you have a major soundtrack deadline to meet, but my best utility is familiarity. It hasn't taken long to make good grab-&-go use of that. I already get the spreadsheet effect, just by scrolling through Alchemy! I've been building a list of Cloud D-50 patches with small tips next to them. I just hold on to the pommel and try not to get bucked off. I'm contrasting this with my Kurzweil which has something by Soundtower that seems a bit outdated and flaky (going by at least one comment here that it messed things up.) so I'm not going to risk trying it. Time for a pad, I could have a whole bank of them. I can save out custom banks and easily load them back. They have a fantastic librarian that runs in a web browser so it's super easy to get going. On hardware synths, I was really struck by just how incredibly handy having a good librarian was the day I got my Novation Summit. And I really should add more custom tags to good patches in synths like Repro the instant I come across them. I do really appreciate the tagging systems in synths like Alchemy and FM8 while perhaps not perfect, they can let you at least try to find patches by categories and attributes. I think mainly these are used for drum and sound effect samples but I'm not sure.Īs far as is one reason I have stopped using quite so many synths unless I really can't get something done with my "main" ones. Supposedly they can group things together by doing some analysis and then showing you similar sounds (like, bell-like sounds over there, electronic kicks here etc). I haven't used either but I'm considering it. Software-wise, there are a couple products (Atlas, XO) that kind of manage samples for you.